Nikon 85mm 1.8 AF-S Best nikon telephoto lens for portraits. is a functional lens with a robust design. It fits almost all cameras, especially DSLRs. It has excellent color reproduction, sharpness, and saturation.
Nikkor Nikon 85mm 1.8 G Fixed Lens with Auto Focus for DSLR Nikon camera
The portrait fix is oversized and heavier. It is not designed for handheld shooting. The structure has completely plastic parts, but it is assembled with high quality. Individual components do not wobble or creak.
The bayonet ring has a rubber pad that protects against dust, dirt, water. This method use you can work with the lens in any greatest situation. There is no stabilizer, which is why you need to shoot at a shutter speed of 1 / 100th of a second or less. If the indicator is higher, then the picture will be less sharp. But high-quality aperture allows you to shoot in any condition.
The main lens at the front is small. Its diameter is 67 mm, which means that the user will not have to buy separate light filters.
Best Nikon lens for portraits
Nikon camera lens Nikkor 85mm 1.8
Nikon telephoto lens Autofocus
Nikon 85mm 1.8 G AF-S Nikkor is equipped with not-too-fast autofocus. The device first pauses and only then confirms focus. This is mainly noticeable in low lighting situations. But this speed is sufficient even for shooting fast-moving objects. When shooting portraits, there shouldn’t be any troubles.
The color rendition in the photo is excellent. The background is blurred smoothly, evenly. The bokeh effect can work in both the forefront and background. It blurs smoothly, neatly, does not touch unnecessary objects. Only in extreme situations, small scales can be seen in the bokeh. It is believed that this is a flaw in the optical scheme, but they look interesting.
Sharpness and aberration
On an open aperture, chromatic aberrations are visible quite strongly. You can get rid of them only with a photo editor. Such imperfections take the form of a purple halo. But such an optical effect is characteristic not only of this device but also of all high-aperture optics. If you compensate for chromatic aberration, you can degrade the pattern itself. In this case, an accurate picture with soft blurring will not work. The device is perfectly protected from the backlight. The glare appears periodically but in rare situations.
The picture is clear even when the aperture is fully open. At f / 2.5, the image is detailed over the entire field, at nikon telephoto lens 85mm 1.4 and beyond – partially. It is not necessary to close the aperture to f / 16. If you close it completely, the photo still turns out to be of high quality.
When shooting a female portrait, the device does not add unnecessary details. All elements are handled carefully. There is no need to smooth the portrait after the photo session.
Advantages Nikon 85mm 1.8 J AF-C Nikkor
This nikon telephoto lens model is perfect for a photographer who has recently started using DSLR cameras. It has the following features:
Strong construction, protected from moisture, dust.
NIKKOR Z 28mm f/2.8 smallest single focus lens Release On November 18, 2021. Now available on the Nikon Z mount. Notable is the Special Edition sold as a set with Nikon Z fc. With a look that is the best match for the classic look of the Z fc,
it’s sure to stay on the body. The Nikon Z fc of the APS-C sensor can be used as a quasi-wide-angle lens, and the Z body of the full-size sensor can be used as a wide-angle single-focus lens. If you like the looks, it’s one that you have no choice but to get the image, but many people are worried about whether to buy it as a set with the body. In order to decide your mind, I would like you to look at the “tentative” example and think about the reason for getting it.
Nikon NIKKOR Z 28mm f/2.8
Nikon zfc Camera with NIKKOR Z 28mm f/2.8
This is a special edition with the Nikon Z fc released earlier. The Z mount has a larger mount diameter than the F mount, but. I like the appearance that is reminiscent of the Ai-S Nikkor lens of yesteryear. The shape of the rubber knurling of the focus ring and the silver ring match well with the retro feel of the body. The filter diameter is 52 mm. The front lens is extremely small, but the rear lens is large, and the design is optimized for mirrorless cameras with a short back focus. I think it is also a lens configuration that does not easily scratch the front lens.
I don’t feel the need to squeeze it because it is sharp from the open, but I squeezed it a little because it was a bright condition. The full size is 28mm, and the APS-C has an angle of view equivalent to 42mm in full-size conversion. The DX-format Z fc is a semi-standard lens with an angle of view that is between 35mm and 50mm and is easy to handle in everyday life, making it ideal for a walking camera.
The littlest and lightest body amongNIKKOR Z prime focal points, with a length of approx. 43 mm and weight of approx. 155 g.
NIKKOR Z 28mm f/2.8 features
The quick f/2.8 most extreme opening lessens the impacts of camera shake, in any event, during hand-held shooting.
The central length becomes 42 mm (comparable to 35mm [135] design) when mounted on a DX-design camera.
A base center space of 0.19 m permits clients to draw near to their subjects for high-quality Images.
Reception of a multi-centering system*1 acknowledges normal delivering across the whole shooting range, just as quick and exact AF control, while keeping a more modest body size.
Planned with the thought of residue and dribble safe performance*2 so it tends to be taken anyplace with more prominent certainty.
Capacities, for example, opening and openness pay can be relegated to the control ring.
Created with thought for video recording with amazingly calm activity, compelling center breathing pay, and stable openness.
A compact lens to accompany your life
Nikon zfc Camera with NIKKOR Z 28mm f/2.8
NIKKOR Z 28mm f/2.8 Special Edition used in combination with Nikon Z fc. When I see it placed on a table or chair from time to time for a walk snap. It just makes me sick. It’s a holiday atmosphere where you hang a classic film camera and go out. Nowadays, when it comes to film cameras.
The number of times the shutter is released is modest, but with Z fc, there is nothing to worry about. With a limited angle of view and modest brightness, you don’t even have to shoot great masterpieces.
This is good, isn’t it? If you have a large-diameter lens, you will want to increase the blur. And if you have a zoom lens (NIKKOR Z 28mm f/2.8), you will want to reduce the framing. With the Z fc and this lens. I feel that I can naturally face everyday life without putting extra pressure on myself. However, the body and lens are modern, so when I look back at them later. They look better than I expected. In many ways, I think it’s a lens that lets you enjoy the fun of cameras and photography. It’s an attractive option not only for those who are starting a camera but also for those who have enough equipment to sell.
The new-generation “large-diameter prime series,” is said to be the “Chapter 2” of the XF lens. And has high-resolution performance in anticipation of future high pixel count of image sensors. In addition to the previously released Fujinon lens XF18mmF1.4 R LM WR. The XF33mmF1.4 R LM WR (35mm equivalent: 50mm equivalent) has been added to the lineup.
We will deliver the impression of the “new standard lens” that you felt while walking around the city and snapping its depiction and features and resolution performance.
FUJIFILM XF33mmF1.4 R LM WR
Design & body balance
Fuji XF33mmF1.4 R LM WR – The straight and simple lens design is characteristic of this Prime series. The compact design with a mass of about 360g is optimally balanced with the X-T4. Comparing only the mass, I feel that it is about twice as large as the XF35mmF1.4 R and XF35mmF2 R WR, but in addition to the lens configuration of 15 elements in 10 groups, including 2 aspherical lenses and 3 ED lenses, a linear motor It is not heavy at all from the fact that it adopts, but rather it feels small and light.
If you attach it to the X-E4, which has a small body, you will feel the size of the appearance when you attach the hood, but the size that allows you to hold the lens barrel firmly increases the holding feeling and enables stable shooting. I felt that it was easy to handle, even for men with big hands.
The prime series is equipped with an A-position lock mechanism on the aperture ring, which makes the click and operation feel comfortable when the ring operates, and the ease of handling is also attractive.
Perspective and stereoscopic effect with a standard lens equivalent to 50mm
What I was most happy about with this lens was that it was equivalent to 50mm in the 35mm equivalent. Until now, the XF35mm F1.4 R and XF35mmF2 R WR are equivalent to 53mm in 35mm equivalent, and I sometimes felt a little narrow, but this “2mm difference” is the same as the APS-C size sensor. It seems that the standard lens 50mm captures every corner of the 35mm film, and I am convinced of how the framing is determined when I hold it at once, and the feeling when shooting with the film naturally revives and makes it easier to shoot. Felt.
Especially at full aperture F1.4, it looks like a standard lens that gives you a realistic field of view and a three-dimensional effect depending on how you take the distance from the subject. It is perfect for portrait photography and snapshot photography with a natural perspective.
Blurred with an open F value of 1.4
The features of this lens are condensed in the bokeh with an open value of F 1.4. It is this XF33mm F1.4 R LM WR is fascinated by the variety of bokeh. The XF35mmF1.4 R is easy to compare. But the quality of the blur is different. And it is not a blur that melts while the contour blurs like the XF35mmF1.4 R, but it is smooth and gentle while leaving the contour. The blur is the XF33mmF1.4 R LM WR.
The leaves of the evergreen tree have a strong color and are hard to see through, but the front bokeh is gentle, and the light reflected on the leaves is a softball bokeh. If you capture it at the shortest shooting distance of 30 cm, you can grasp its characteristics.
In this scene, I focused on a small wire mesh and shot it. I was blurring the mesh shape in front of the lens to be seen faintly, creating an effect similar to that of an old lens was created.
The depiction of the high-definition focus surface is sharp and sharp. The soft bokeh with a shallow depth of field is captured in the shade to create an emotional and moist atmosphere. When shooting at a shallow depth, you can feel the accurate focusing by the linear motor.
The ball bokeh shows a beautiful outline. The small light reflected on the chain blends into the background as it goes deeper into the screen, and the car headlights and show windows have become gentle nuances.
The XF33mmF1.4 R LM WR offers a wide variety of bokeh that can be expressed in depth. You can enjoy a more impressive finish depending on the combination of the film simulation.
Overwhelming resolution performance
The standard angle of view is 50mm in the 35mm equivalent, easy to use for any subject. Since the lens itself is a wide-angle lens of 33mm. The depth is deep, and the sharpness of the pan focus. This is especially nice for snapshot shooting. Stands out, and it demonstrates amazing sharpness without narrowing down.
The three-dimensional effect that allows. You to feel the depth of the entire screen and the high resolution that allows you to feel shadows. While the contrast is high, play a key role in snapping when you stop and release the shutter.
It is a Japanese building that looks flat to the naked eye. But even the finest materials are projected in detail. It is a very realistic depiction that brings out the beauty of the shadows. The rough texture of the surface that you can see that the craftsman finished it by hand.
I took a picture of the dimly lit eaves at night. But it shows the depth of the shadow part in detail.
The resolution peak is around F5.6. You might think it’s too shallow, but it’s also a convincing number when looking at. The next-generation high-pixel sensor.
Linear drive inner focus AF and dustproof/splashproof mechanism.
An inner focus method is used to drive the focus group. Accurate focusing with a linear motor enhances focus accuracy at shallow depths of the field. Enabling high-quality shooting with reduced camera shake and noise even in low-light scenes. It’s so quiet that you don’t feel any sound at all, and the high-speed. High-precision AF captures. The subject quickly and accurately.
In addition, the X-T4’s in-body with(XF33mmF1.4 R LM WR) image stabilization makes it easy to shoot for long seconds. I feel the real thrill of a large-diameter lens that can capture brightly even in the dark.
The dustproof, drip-proof, and low-temperature resistant structure of -10 ° C. Which is becoming standard equipment on XF lenses, has 11 sealings on the lens barrel. I was shooting in the light rain with my umbrella, and I often noticed wet. The dustproof and drip-proof mechanism is safe for landscape photography and shooting in the city or at the beach.
conclusion
Intuitively, I felt the strength of the X-mount single focus lens as strong as it could be. It is easy to compare it with the XF33mmF1.4 R LM WR. Which is said to be a god lens. Because of the focal length similar to the brightness of the open F value. Still, the design, sensor, and processor are different from the initial release of the X series about 10 years ago. The design is different, and it is appropriate to recognize this as a “new standard lens” newly designed for the next generation.
What kind of camera will appear in the future, and how will the image of this lens change? It is a standard lens that I want to master for the future.
The “NIKKOR Z 40mm f / 2” released on October 1st, is a compact, lightweight, full-frame single-focus lens with an easy-to-use standard angle of view with a focal length of 40mm. This time, I will send you a review with a snap of the city with this lens and Nikon Z 6II combination.
Beautiful depiction without distortion to all four corners
First, its depiction performance is of concern, but it produced an incredibly clear and beautiful image from the price. It is a good impression that I draw well without creating color turbidity, especially even in a scene where there is a big difference between light and dark. The four corners are completely drawn even with the aperture open, so it’s fun to think about what to put in the composition and how to do it.
The lens configuration is 6 elements in 4 groups, and 2 aspherical lenses are used. Thanks to this aspherical lens, this lens suppresses distortion and spherical aberration, allowing you to enjoy natural and easy-to-see images. Snaps in the city often have vertical and horizontal lines in the composition. I also have a strong desire to enjoy them, so I’m happy that there is little unnecessary distortion.
Natural bokeh that makes shooting with the aperture open
You can enjoy natural and soft bokeh with a lens configuration of F2 aperture value and 9 aperture blades. When shooting snaps, I often use an aperture value of around F5.6. Still, with this lens, the aperture value of F2 is comfortable. And the gradation of the blur is very natural, so shoot with the aperture open. Really I enjoyed it.
I think that the bokeh that doesn’t look intentionally helps with the focal length. But it makes me feel the good performance of the lens. I liked the sharpness of the in-focus area and the clean drawing of the surrounding area. If the resolution performance of the lens is low. The picture of such a building will be sleepy, but the under part is drawn beautifully so that you do not have to worry about it.
This photo uses the creative picture control toy. By increasing the saturation, the color of the wood grain on the floor is emphasized. The surrounding metallic vertical and horizontal lines also have a warm color, so the overall photo is rich and deep—the mode. I want to tighten the dark areas sharply. When used in such photographs, it gives a profound feeling, so it is a creative picture control that I occasionally use in snapshots.
Compact size with good maneuverability
One of the features of this lens is that it is quite compact, with a total length of about 45.5 mm and a weight of about 170 g. Until now, most Z-mount single focus lenses have been long, but with this thinness, they can be easily taken in and out of the bag even when attached to the camera.
In addition, the dust-proof and drip-proof design prevents dust, rain, and splashes from entering. You can shoot regardless of the weather or shooting conditions. The non-collapse type, which does not require a feeding operation, is also a nice point to not miss a photo opportunity.
Here, I used the creative picture control “Somber.” I like fluffy photographs in portraits, but when I shoot with this lens, I want to draw clear images with high contrast, and I’m addicted to “Somber,” which enhances saturation and lightens dark areas.
Quick and quiet AF performance with STM
His lens uses STM (stepping motor), which makes focusing quieter and faster. Partly because of its quickness, I often use manual focus lenses these days, so I enjoy shooting with autofocus more rhythmically.
For this Nikon Z 6II shooting, I used both the viewfinder and the LCD screen to focus. When shooting at a low angle where it is difficult to look through the viewfinder. When you do not want to exaggerate the camera’s presence in the city, touch the LCD screen to specify the focus point and shoot with the shutter button. Doing.
In addition, the effect of adopting STM is to reduce the driving sound for focusing. Which is annoying when shooting movies. While turning the camera, I was worried about the driving sound. I touched the LCD screen to specify the AF point and changed the focus, but this lens was quite quiet. In addition, since the control ring can be clickless, it is possible to shoot movies without the sound of the aperture operation or the driving sound of the ring operation.
Many of the lenses that have been developed recently are also considered for movie shooting, and I strongly feel that shooting movies with mirrorless cameras has become commonplace.
Compact size reduced aperture and lens drive noise and suppression of angle of view fluctuations (focus breathing) that occur when moving the focus back and forth to prevent unnatural changes in the angle of view. Lenses that support the three points of what you are doing are lenses often used for movie shooting.
Simple design that doesn’t look strange
One of the things I like about this lens is its simple design that doesn’t look strange. Lenses that do not insist on color or shape are perfect for snapping in the city.
In addition to the “M / A” function that allows you to switch to MF by operating the control ring during AF from the camera side, the control ring has four items: “aperture value,” “exposure compensation,” and “ISO sensitivity.” You can assign and use one of them. If you assign a function to operate quickly, you will be more resistant to photo opportunities. At the same time, you will be able to take measures against operation noise when shooting movies.
The most recommended lens for the first single focus lens
It has stunning performance enough for shooting, such as beautiful depiction, simplicity of design, design considering movie shooting. Still, I wanted only one point to be attached with a small lens hood. I thought. In addition to reducing flare and ghosts. If you use it frequently as a snapshooter, you can quickly put it. In and out of the bag without attaching a lens cap if you have a lens hood attached. You can maximize the time to release the shutter. Since the distance from the tip of the lens to the lens surface is short. It also has the meaning of protecting the lens.
You can find a 52mm lens hood and purchase it separately. But it is quite difficult to find a hood that matches the lens design. So I would like to include it, but in the sense that you can enjoy customizing it, it is round. It may be fun to select and wear a lens hood that you like, whether square or square.
This time it was a snap review, but it is a lens that seems to have a wide range of activities such as portraits. With DX-format cameras and table photos that take advantage of the shortest shooting distance of 0.29 m. This is the most recommended lens for those who have graduated from the kit lens and are considering a single focus lens as the second lens.
The Canon RF800mm F11 IS STM, and RF 600mm F11 was STM released by Canon in July 2020. When I heard about this lens I honestly thought. It wouldn’t be released and would end up in a lively atmosphere. After all, although it has a long focal length, it has a spec of open F11 without an aperture mechanism. When the RF system was born, I heard from a Canon developer that “I would like to make more and more interesting lenses that take advantage of the RF system. First of all. I was surprised that it was released available on amazon.
And I was even more surprised to use it. It’s surprisingly rude for shooting requiring a long focal length, such as Hikoki shooting, but I understand it is a very easy-to-use lens. Here, we review the RF800mm F11 IS STM, and the RF600mm F11 IS STM together. I shot various scenes in the Hikoki shooting.
Many people think of Canon’s super-telephoto single focus lens as a white bazooka-like lens, but the RF800mm F11 IS STM, and RF600mm F11 IS STM has a simple black body. Is it an 800mm or 600mm lens? The feature is that it is so compact and light. The secret to the maximum compactness is the retractable structure. This structure, which pulls out the lens when shooting, makes it possible to store it compactly when carrying it.
RF600mm F4 IS L USM, which also has a single focal length of 600mm … The company has a white bazooka lens called “Rokuyon,” but the RF800mm F11 IS STM, and RF600mm F11 IS have space to put one in the camera bag. It is also possible to store two STMs side by side vertically. That’s how compact the lens is.
The RF600mm F4 IS L USM weighs about 3090g. On the other hand, the RF800mm F11 IS STM weighs about 1260g, and the RF600mm F11 IS STM weighs about 930g, so although there are differences in the open F value, even the same single focal length lens with a long focal length has such a difference in weight. In the Hikoki shooting, where many handheld shots are taken, there are many scenes where lightness is justice. When shooting so-called vapor scenes where clouds are generated from the wings, it is not uncommon to keep chasing the aircraft while holding it and looking through the viewfinder, so the lightweight of the main body is very useful.
The RF800mm F11 IS STM consists of 11 elements in 8 groups, and the RF600mm F11 IS STM consists of 10 elements in 7 groups. The DO lens corrects each aberration and contributes to miniaturization and weight reduction. A good depiction is like a single focus lens. Even in the Hikoki shooting, where detail is important. The resolution is satisfactory, and every small part is depicted in detail.
However, since the aperture is fixed at full aperture. The peripheral area feels a little softer than the sharpness of the central area. Depending on the conditions, the peripheral light falloff may be noticeable, so turn on “Peripheral Illumination Correction” in the lens correction of the camera body or correct it during the development process.
The lens’s focal length is long, but it is also possible to extend the focal length by attaching an extender. You can shoot ultra-telephoto shots such as 1200mm and 1600mm, but with the EXTENDER RF1.4x, the open F value is F16, and with the EXTENDER RF2x, the open F value is F22. Image quality degradation is not so noticeable for 1.4x users. It is necessary to consider the conditions, such as choosing a day with good visibility, but I got the impression that I can use 2x more than I expected.
The AF range-finding area is approximately 40% horizontal and 60% vertical on the imaging surface when using this lens. There is a case where the AF range-finding area is placed at the edge of the imaging surface. And the follow-up AF is used for shooting, but with some ingenuity. I felt that there were few inconveniences even in this AF range-finding area. There is no problem with AF focusing speed and precision, and it is comfortable. Since it is an STM system equipped with a lead screw-type stepping motor, it also realizes smooth AF that is nice when shooting movies.
IS is also active in panning.
The specifications of the image stabilization mechanism are also a concern for Hikoki shooting. Which is often used for handheld shooting and uses a lot of super-telephoto shooting. Still, the RF800mm F11 IS STM has 4 steps, and the RF600mm F11 IS STM has 5 steps. It doesn’t support coordinated correction with the in-body image stabilization (IBIS). Equipped on the EOS R5 / R6, but I didn’t feel any shortage for normal shooting. Rather, it may be easier to take a picture with an appropriate correction effect when taking such a panning shot. Coordinated correction with IBIS has a fairly strong correction effect depending on the combination, so users who have migrated from SLR cameras may need to get used to panning.
Each costa
The biggest attraction of this lens is the good cost performance. Similarly, Canon’s ultra-telephoto single focus lens includes the RF600mm F4 IS L USM as mentioned above. The Kitamura price as of October 2021 is around 1.6 million yen. On the other hand, the RF800mm F11 IS STM costs around $899. The RF600mm F11 IS STM costs around 90,000 yen, which is about 15 to 16 times the price difference.
For those who often print and stretch it greatly, those who continue shooting that can not fail even in severe exposure … In other words, those who often shoot for business use, commonly known as Rokuyon, is recommended. Still, those who mainly publish works on the WEB such as SNS The RF800mm F11 IS STM, and RF600mm. F11 IS STM is also recommended for those who mainly shoot Hikoki during daytime exposure. Considering this price difference. I think the open F value is 3 steps. The aperture mechanism is not required, and it can fully offset the narrow AF range-finding area.
Of course, there are differences in image quality, such as explanatory power. Still, to be honest, I feel that this is also a lens with the excellent performance considering the price difference of 15 to 16 times. It is wonderful that you can get the angle of view of this focal length and the image quality unique to a single focus for around 100,000 yen. It’s lighter and more compact than Rokuyon, so it’s overwhelmingly good portability and handheld swinging.
The RF800mm F11 IS STM and RF600mm F11 IS STM is recommended for those looking for a super-telephoto lens that follows lenses such as 100-500mm and 100-400mm. In Hikoki shooting, the aircraft can be pulled even closer, creating new work with a new angle of view. Cut-out system: This focal length is also useful for shooting so-called powerful Hikoki photographs, turning scenes, and scenes where the machine’s shadow pierces the moon.
Those who used to shoot with a lens with a short focal length. And cropped or trimmed it can now handle it with a visual approach. Some people may be worried the open F value of F11 is and “there is no aperture …”, but the RF system cameras are generally excellent in high-sensitivity performance so that you can rest assured. When shooting with such a long focal length in Hikoki shooting. It is rare to narrow down tightly, so I think you do not have to worry about this point.
In the first place, I presume that it was not easy to develop a lens with this open F value with a single-lens reflex OVF. It is a compact, lightweight, and attractively priced lens unique to mirrorless interchangeable-lens RF systems. Suppose you can carefully select the shooting conditions such as visibility and improve the areas of concern such as light loss by developing. In that case, it is a lens through that you can fully experience the goodness of cost performance.
